He was born as Tommaso di Ser Giovanni di Simone on 21st December 1401 and died in the summer of 1428. He was an important figure in the Italian Renaissance. Masaccio facts: The Italian painter Masaccio (1401-1428) was the first great exponent of Renaissance painting. His father worked as a notary. The name Masaccio is a humorous version of Maso (short for Tomma… Another work of Masaccio was the Virgin and Child with Saint Anne.Nativity and an Annunciation were the two other works attributed to Masaccio. Read Facts about Masaccio to find out the first great Italian painter. Five are stories from the life of St. Peter, and the sixth is the The three remaining scenes, on a lower tier, are spatially more complex and sketchier in brushwork-advanced work not reached by other artists for some generations. continuous luminous color areas that built forms and almost eliminated drawn edges. Masaccio (1401 – 1428). His understanding and use of perspective catalyzed the shift away from the Gothic towards the more natural and realistic style that would come to define Renaissance art. Tommaso Cassai, nicknamed “ Masaccio ” or “ Thomas the Absent-Minded, ” was an artist of the early Renaissance who broke new ground in the technique of painting. The name Masaccio is considered as the shorter version of Tommaso. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. Masaccio died at the tragically young age of 27, but his legacy proved immortal. Coyle… Facts about medieval art cover the classify of of art that… Facts about Mc Escher present the person who was the most… In his brief life he produced four major works utilizing the new discipline of space defined in perspective. It was believed that he had his training as an artist by relocating to Florence.The San Giovenale Triptych (1422) was the first work of Masaccio. It utilized exact perspective invented by Brunelleschi and anatomical realism and applied these skills to narratives depicting critical moments in human relationships. In the Encyclopedia of World Biography. His mother married again in 1412.The exact information related to the artistic education of Masaccio is not known. It means messy or clumsy Tom.The name Masaccio was selected to distinguish him from Masolino. The work, begun by Masolino for the merchant Felice Brancacci, was probably resumed by him in 1427, when he returned from Hungary, but now in collaboration with Masaccio, who did half of it, six scenes. His mother Jacopa di Martinozzo married again in 1412. Brunelleschi and Donatello found in the young Masaccio someone who could transfer these concerns into the medium of painting, using as well realistic contrasts of light and shade and the startling novelty of Masaccio was born Tommaso di Ser Giovanni di Simone Cassai around 1401 in a small town in Tuscany, Italy. Masaccio in the Brancacci Chapel. You just have to go to the Museum of Cascia di Reggello to check it. He was known to be quarrelsome and changeable. Sadly before he reached 30 years of age, he was poisoned by a covetous rival artist who could not stand the beauty and ingenuity of Masaccio's masterpieces. He was artistically gifted from an early age, and both he and his brother Giovanni pursued painting. In 1406, his father passed away. This had seldom been done before him. He probably received the nickname Masaccio (Terrible Tom) to distinguish him from his collaborator Masolino (Little Tom).Masaccio went to Florence when he was about 20 and very soon joined the most modern and prominent artist group there, headed by the sculptor-architect Filippo Brunelleschi and the sculptor Donatello. Masaccio, byname of Tommaso di Giovanni di Simone Cassai, (born December 21, 1401, Castel San Giovanni [now San Giovanni Valdarno, near Florence, Italy]—died autumn 1428, Rome), important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c. 1427) remained influential throughout the Renaissance. All of these innovations were recorded in the handbook on painting written in 1435 by Leon Battista Alberti, which was dedicated to Brunelleschi and alluded to Masaccio.Probably also of 1425 is Masaccio's first fresco, usually called the In 1426, as an unusually full set of documents reveals, Masaccio painted a polyptych for S. Maria del Carmine in Pisa, Donatello apparently being his sponsor.
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