The second major competition came in the form of Rather than concede defeat, Tintoretto persevered and strengthened his status by focusing on works characteristic of his style that set him apart from the more traditional approaches of Titian and Veronese.
Then, around 1550 he married Faustina Episcopi whose father was affiliated with the Scuola Grande di San Marco confraternity for whom he had created a painting.
In so doing he made increasingly dramatic works, densely populated with figures creating rhythmic contrasts in light and dark that appeared more Tintoretto often employed questionably ethical means to secure coveted commissions, at times reducing the fee for his paintings enough to undercut other artists. No documents have survived regarding Jacopo’s artistic education. His unique approach to artmaking with rapid, loose brushstrokes and strong contrasts between light and dark deeply challenged the traditional style of the iconic master Titian, Paolo Veronese, and his Venetian contemporaries. Tintoretto, byname of Jacopo Robusti, (born c. 1518, Venice [Italy]—died May 31, 1594, Venice), great Italian Mannerist painter of the Venetian school and one of the most important artists of the late Renaissance. Tintoretto's interest in, and emulation of, Despite Titian's disapproval, Tintoretto began to make a name for himself, first through a series of public works in the form of mural fresco paintings.
Born Jacopo Robusti, even the year of his birth is unclear with scholars placing it sometime in either 1518 or 1519.
This was also the period of Tintoretto’s closest collaboration with A few months later Tintoretto became the centre of attention of artists and literary men with his In 1555 Tintoretto, now a famous and sought-after painter, married Faustina Episcopi, who, affectionate and devoted, bore him eight children. It was during this later period that Tintoretto also received a few important international commissions including an altarpiece for King Philip II of Spain and four works for the Holy Roman Emperor Rudolf II.
The most notorious example of his strategic ingenuity centered around a competition for a ceiling painting for the new meeting house of the Scuola Grande di San Rocco in 1564.
From the outset, the young artist set himself apart from his former teacher Titian, despite the popularity of his rival's accomplishments.
Articles from Britannica Encyclopedias for elementary and high school students. Our editors will review what you’ve submitted and determine whether to revise the article.Little is known of Tintoretto’s life. He also painted an increasing number of non-religious themed paintings during this time. "Jacopo Tintoretto Artist Overview and Analysis". This was four years after the death of his rival, Titian, who had of all the Venetian painters, dominated the international stage. He is known to have come from Venice, however, making him one of the few iconic artists of the Venetian School to have been born in this city.His father, Giovanni Battista Robusti, was a cloth dyer; an occupation which would influence his son's artistic style surrounding the young Jacopo with colors, pigments, and other artistic mediums virtually from infancy. Director, Institute of Art History, Giorgio Cini Foundation, Venice, 1972–89.
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Tintoretto was born Jacopo Robusti in Venice, Italy, circa 1518.
This strategy proved successful, as Tintoretto began gaining commissions, including many religious works for which he would remain best known, including multiple depictions of the Last Supper, the first of which he created in 1547. He is known to have come from Venice, however, making him one of the few iconic artists of the Venetian School to have been born in this city.
His body of work is mostly marked with startling and theatrical gestures, muscular characters with a clear and resolute viewpoint.
"Although no definitive records exist, it is generally believed that Tintoretto's training began sometime in his early teens with a brief stint as an apprentice in the workshop of the famed Venetian painter, Largely self-taught after this experience, Tintoretto would continue to develop his skills in part through making paintings on furniture. One of the most notable being his creation of the large-scale painting, titled As he neared the end of his life, Tintoretto increasingly relied on the help of his studio assistants to finish his paintings, including Jacopo Tintoretto left an indelible mark on 16th-century Venetian painting and beyond. The strategy worked, and by promising to render all additional paintings for the house for an annual salary of 100 ducats, the artist secured an exclusive contract with numerous commissions over the following two decades. Among other influences, they recall the fashion of partitioned ceiling paintings imported to Venice by Vasari.
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There are few details known about the childhood and early life of the Italian artist Tintoretto.
According to Echols and Ilchman, "in our time, such painters as Emilio Vedova, Edited and revised, with Summary and Accomplishments added by Many things come and go, but this great artist remains for us in Venice a part of the company of the mind.Like a fulminant Jove, he used the thunderbolt of his brush to pursue superiority over all the others, and absolute dominion.He altered the form of figures if he felt like it, making them more expressive by rendering them as more graceful, elegant and beautiful by emphasizing muscles and giving them a more satisfying terseness of outline....swift, resolute, fantastic, extravagant, and the most extraordinary brain that the art of painting has ever produced....in his Venetian paintings Tintoretto proved himself a very subtle and sympathetic interpreter of patrician values, both orthodox and progressive. Tintoretto was a famous Italian painter and an important proponent of the Renaissance school.