The bummer, of course, is that the wealth of natural subject matter is a bit limited indoors.That’s why I keep a collection of interesting things to photograph for those times I won’t be able to get outdoors. You will also find yourself working in tight spaces. Enter your username or email address to receive a link to set your password.Your account will be downgraded to a Free Account at the end of your Premium Membership trial.Add a credit card now and it will be charged for an Annual Premium Membership ($499) at the end of your trial.A photographer and writer based in Miami, he can often be found at dog parks, and airports in London and Toronto. To that end, I used the new Polaroid LED Macro Flash Flexi Light. What it does do well in those situations is warm up otherwise cool light from overcast and shade, and it does provide directional fill as needed—although I find it too easy to add too much light when working this way.

Not to mention that your subjects might try to fly or slither away! All Rights Reserved. It’s that old adage, that it’s a poor craftsman that blames his tools. That means owning some enormous cameras and lenses that look like they were stolen from the business end of a U2 spyplane. Many of these things, in fact, are actually tiny little subjects that are perfect for macro photography. But because the light is fairly low output, it doesn’t work as well when it comes to balancing with bright ambience. When folks think of macro photography, they often picture close-ups of blooming flowers and honeybees and all sorts of bright and sunny summer imagery. I’ve got a limited selection of butterfly and moth specimens, the perfect kind of thing to photograph in the comfort of an indoor studio in these cold months.I’ve also got quite a growing collection of printed paper items, like old playing cards, foreign stamps and currency that also make for interesting close-up macro subjects.
Think of the facilities that prolong summer all year long—places like arboretums and butterfly houses and botanical gardens, or really anyplace that maintains a hothouse for growing plants in a warm environment even when temperatures outdoor plummet. Don’t do it! Login to access your dashboard, watch tutorials, submit photos for critiques and and get recognized for awards. Angela Kelly isn’t a poor crafstman.I want to encourage others to slow down and appreciate the little things.Kelly, still innocently spoken and humble, admits she has lustful gear envy and that she has really only begun. Sunny days are certainly interesting, but for a lot of macro subjects this time of year, lightly overcast skies may actually work better in order to prevent the photographer’s shadow from interfering with the tiny subject matter.If there’s snow and ice on the ground, you’ve got a built-in reflector as well.

It certainly caused me to pause and reflect on whether I need all the gear I seem to At the end of each antenna is a circular panel containing the LEDs that illuminate the subject. Including the falling snow flakes in … Here in the northern hemisphere, winter is almost upon us. That might be from either side of the lens facing forward, or to the sides of the subject facing in from left and right, positioning both lights on the same side of the lens—a technique I particularly like for giving shape and direction to my lighting—or even stretching the lights out to get them behind my close-up subjects to provide a hint of backlighting, perfect for translucent subjects like my little moth sample. The dark leaf against the white snow makes for some stunning contrast. From backpacks to cases to messengers, when it comes to camera bags, there isn’t one perfect bag—just the right one for the photo assignment. A big strobe in a softbox, for instance, isn’t very easy to get close to tiny items without becoming somewhat omnidirectional, whereas these small lights can easily be positioned practically anywhere around the subject, adding key and fill lights as needed, and ensuring you won’t sap all the drama and interest from your lighting.


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